John Hall was born in 1945 in the country since named Zambia. He was engaged in dialect projects for Centre for Northe PhD in field of Old English, King's College London, 1987. During his tenureīill Griffiths (Brian William Bransom Griffiths) was born in Kingsbury, Middlesex, 1948. Principally a writer and director for theatre and performance, Chris Goode has also been involved in the making and performing of poetry since 1999. My poetry publications include Reliefs Pibroch Readīorn in Bristol, 1973.
My writing has been translated into Catalan, (Scots) Gaelic, German, Polish, and Spanish. Harry Gilonis is a poet, editor, publisher, and intermittently a critic writing on art, poetry and music. Her third book, CADDISH is just out from Black Radish Books, spring 2013.
Susana Gardner is the author of the full-length poetry collections HERSO (Black Radish Books, 2011) and (The Tangent Press, 2008). He joined the American University of Paris in 2004, where he is currently an Assistant Professor in Philosophy and Fi Four Ways, Earl Sterndale, Buxton, Derbyshire SK17 0EP.īorn in Paris in 1971, Jérôme Game lives there after having spent several years in the United States and in England. Musician, performing regularly, 1946-1995. Teacher in various schools, colleges and universities, 1953-1982. A poet, painter, publisher and art historian, has produced over one hundred and fiftīorn Handsworth, Birmingham 1930. involved in performance and installation art since 1970. Kai holds an MPhil in Architecture and the Moving Image from Cambridge University - and has worked as a Project-AssĪllen Fisher. A mixed-media writer whose research interests circle around collaborative, community-engaged practices. He is co-editor of the web-based digital archive, 'Deviance, Disorder and the Self'. Ken Edwards' books include Good Science, eight + six, Bird Migration in the 21st Century, No Public Language: Selected Poems 1975-95, Matt ffytche is Senior Lecturer in Psychoanalytic Studies at the Centre for Psychoanalytic Studies, University of Essex. worked for a telecomms manufacturer for nine years and then for the Stock Exchange, writing software, for th studied Modern Languages and then Anglo-Saxon, Norse, and Celtic at Cambridge University. I studied as an undergraduate and postgraduate at the University of Essex and, after working at a variety of different jobs, teach literature and creative writing in the School of English at the Unīorn Leeds, 1956, grew up in Loughborough. I live in Wales, where I've been most of my life. Now Professor of Poetry at Emily Critchley read a PhD at the University of Cambridge in contemporary, American women's experimental writing and philosophy, where she was the recipient of the John Kinsella & Studied at Columbia University in New York and then at Cambridge University in the UK, where I wrote a PhD on seventeenth-century poetry. Projectsīorn in Harpenden, Hertfordshire (UK), in 1958, the great-granddaughter of Jewish refugees from Europe at the beginning of the 20th century, Blonstein earned a BA in Natural Sciences (Genetics) from Cambridge (1979) and a PhD for work on dwarfĭetails of my life that are relevant are alluded to in the poems, though various important things may have happened in the following places: Brighton, Hull, Nottingham, Amsterdam, Liverpool, New York, Marrakech, London.īorn in Philadelphia, USA, 1974. Her artistic and critical investigations explore performative language use and fluctuating forms of cultural belonging. My favourite colour is orange.Ĭaroline Bergvall is a writer and artist of French-Norwegian background who works across artforms, media and languages.
I lecture on Creative Writing at the University of East London and edit the online journal onedit. “We Are Primed for Patterned Language”: Listening TogetherĪfter Turing: A Digital Poethics Results in authors Kiddy Kamarade: “Crackling Hot in Pans Sometimes” You searched for: 2737 matches found Results in pagesĬristina Judar – Questions towards a Live WritingĬristina Veiga Judar – Questions for a Live Writing